Aperture 200 - Fall 2010 by Mellisa Harris (editor)

By Mellisa Harris (editor)

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It had a dramatic into a box and you have your own swarm. effect on my view of the world when I suddenly went out and every day had to find somewhere to sleep and food to eat. up-just hanging there, teasing me where I can't get to them. But I place to stay for a little while-a few hours, a couple of days. They So there's this swarm of bees in a hickory tree, about forty feet can't cut it down, because if you cut a tree it just crashes down and all the bees go flying off. So I think: "Could I possibly cut the tree NATALIE (NORTH CAROLINA): A lot of us who live here came with a kind of post-activist outlook-realizing that the world is really messed up, that nature is being destroyed, and being incredibly dissatisfied with consumer culture and the whole idea of success in modern society.

If they are prized answers, what on earth were the questions? "Research" has become a chronically earnest concept in Recent books, such as Shannon Ebner's The Sun as Error(Wallis contemporary art. So often the artist is supposed to "conduct" it in lieu of making things up, in order to be able to account for what 2009), and Johannes Schwartz's Das Prinzip (Van Zoetendaal, he or she is doing. Artists who conduct research seem like safe bets: funding bodies like them, curators, publishers, biennials, and Scent, play off the seductive promise of visual clarity against the buyers like them.

The list of stunning contrasts goes on. A little over two years ago, I reachedout to American artists and Until the show came to an end in 1971, Cash put together asked them if they would create a work of art about America in the programs that did not shy away from hot-button topics, such time between 9/11 and now. I told them that I wanted to put the as the treatment of Native Americans, the Vietnam War, racial equality, feminism, and God. All these issues and fears that had work onto trucks that would be specially designed to show art in the country.

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